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David Keith Lynch, born on January 20, 1946, in Missoula, Montana, was an American filmmaker, visual artist, and musician known worldwide for his surreal and enigmatic storytelling. He passed away on January 15, 2025, at the age of 78.

Lynch's early years were marked by frequent relocations due to his father's work with the U.S. Department of Agriculture. This nomadic lifestyle exposed him to diverse environments, fostering a deep appreciation for the arts. He pursued painting at the Pennsylvania Academy of the Fine Arts in Philadelphia, where he began experimenting with film to add movement to his artworks. This exploration led to his first feature film, "Eraserhead" (1977), a surrealist horror that gained a cult following and established his unique cinematic voice.

Throughout his career, Lynch directed several acclaimed films, including "The Elephant Man" (1980), "Blue Velvet" (1986), and "Mulholland Drive" (2001). His work often focused on the complexities of the human psyche, blending elements of mystery, horror, and noir to create dreamlike narratives. In television, he co-created the groundbreaking series "Twin Peaks," which became a cultural phenomenon in the early 1990s.

Beyond filmmaking, Lynch was a passionate painter, musician, and advocate for transcendental meditation, founding the David Lynch Foundation to promote its benefits. In August 2024, he revealed he had been diagnosed with emphysema, a condition he attributed to his lifelong smoking habit that began at age eight. Despite his health challenges, Lynch remained creatively active, expressing a desire to continue directing, even if remotely.

Lynch's contributions to cinema and the arts were recognized with numerous accolades, including an Honorary Academy Award in 2019. His visionary approach and commitment to exploring the depths of human emotion and consciousness have left an indelible mark on the world of film and art.

We have posted cards for some of the films Lynch was most known for as well as his TV series Twin Peaks.

Read about Lynch in this New York Times piece.

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